Brunello, Yuri O Dante Alighieri de Antonio Gramsci

Antonio Gramsci in his Prison Notebooks constructs an 'anti-Crocean' reading of Dante Alighieri's Inferno X. It is an interpretation based on the conception of the textual lacuna - manifested by Dante's silence in front of Cavalcante de' Cavalcanti, one of the protagonists of Dante's canto - as a strategy of cultural and, at the same time, political and social nature. Poetry is not reduced to 'poetic'. Gramsci, in fact, rejects the idea of literature as a phenomen sterilely 'superstructural': reading Inferno X, on the contrary, means for Gramsci understanding how Dantesque poetry is neither a mimesis nor a representation, but an immanent reality: part of an organic totality, in which each element - a cultural element as a literary work, for example - constitutes an articulation of the whole. This study intends to indicate in the Gramscian interpretation of Canto X an attempt to find within textual lacunas not the manifestation - as Benedetto Croce (1921) believed - of the ineffable and prelogical dimension of intuition, but the presuppositions for an active and creative role of the reader: a rational, ideological articulation of the connection between the cultural, political and economic level of the society understood as a whole.

SolrDocument[{id=IT-GRAMSCI-BIB00001-0021538, livello=AP, titolo=O Dante Alighieri de Antonio Gramsci, sottotitolo=, tipo_titolo=uniform, responsability_namePart=[Brunello, Yuri], autorevoc=[Brunello, Yuri], responsability_codice=[IT-GRAMSCI-EACCPF0001-006666], responsability_ruolo=[author], first_author=Brunello, Yuri, forma_parallela=, responsability=, note_edizione_traduzione=, luogo_pubblicazione=, editore=, forma_visualizzata=2018, forma_normalizzata=20180101-20181231, tipo_data=, consistenza=, lingua=[por], abstract=Antonio Gramsci in his Prison Notebooks constructs an 'anti-Crocean' reading of Dante Alighieri's Inferno X. It is an interpretation based on the conception of the textual lacuna - manifested by Dante's silence in front of Cavalcante de' Cavalcanti, one of the protagonists of Dante's canto - as a strategy of cultural and, at the same time, political and social nature. Poetry is not reduced to 'poetic'. Gramsci, in fact, rejects the idea of literature as a phenomen sterilely 'superstructural': reading Inferno X, on the contrary, means for Gramsci understanding how Dantesque poetry is neither a mimesis nor a representation, but an immanent reality: part of an organic totality, in which each element - a cultural element as a literary work, for example - constitutes an articulation of the whole. This study intends to indicate in the Gramscian interpretation of Canto X an attempt to find within textual lacunas not the manifestation - as Benedetto Croce (1921) believed - of the ineffable and prelogical dimension of intuition, but the presuppositions for an active and creative role of the reader: a rational, ideological articulation of the connection between the cultural, political and economic level of the society understood as a whole., table_contents=, titolo_collana=, collocazione=, relazioni_titolo_collegato=[Acta Scientiarum. Language and Culture], relazioni_identificativo=[], relazioni_tipo_relazione=[padre], relazioni_numero_volume=[40], relazioni_numero_issue=[1], relazioni_start=[1], relazioni_end=[10], relazioni_pagine=[], relazioni_forma_visualizzata=[2018], relazioni_forma_normalizzata=[20180101-20181231], relazioni_tipo_data=[], relazioni_luogo=[], relazioni_editore=[], relazioni_paese=[], soggettivoc=[Ideologia, Alighieri, Dante (Inferno X)], subjectvoc=[Ideology, Alighieri, Dante (Inferno X)], note_riservate=, source=, recordInfo=, identifier=IT-GRAMSCI-BIB00001-0021538, recordOrigin=, condizioni_accesso=, dateIssued=20180101-20181231}]